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Arley Hall

Hall

History

In 1469 Piers Warburton moved his principal seat from Warburton to Arley, and built the first house on the site. It consisted of a ‘U’-shaped building with the centre of the ‘U’ facing south. At the north was the great hall, 45 feet (14 m) long by 26 feet (7.9 m) wide. The high table was at the west end and the west wing contained the family apartments. The east wing was the servants’ wing and included the buttery, pantry and kitchens. The original Arley Hall was constructed as a timber-framed building, and was surrounded by a square moat. A three-storey south front was added in about 1570, making the house a complete square with a large internal courtyard. In the 18th century the structure of the house was deteriorating, so in 1758 Sir Peter Warburton, 4th baronet, completely encased the building in new brick walls. These were finished with stucco to make neoclassical faades. The massive old chimneys were removed and replaced with small flues within the new walls. Between 1760 and 1763 Elizabeth Raffald, author of one of the century’s most successful cookery books, The Experienced English Housekeeper, worked as the housekeeper at Arley.

Structural problems continued, and in the 19th century Rowland Egerton-Warburton decided to completely replace the house. Rowland’s intention was that the house should reflect the antiquity of his inheritance, but that it should be constructed using techniques which were modern at the time. He chose as his architect George Latham from Nantwich, who at that time was in his twenties. The style chosen was called by Latham the “Queen Elizabethan” style. Every feature in the house had to have an exact model in an existing Elizabethan building. Egerton-Warburton and Latham visited 16th century houses and studied illustrations to ensure that the features were dated correctly to Queen Elizabeth’s reign. The first phase of the building took place between 1832 and 1835 when the east, north and west wings of the old building were demolished. The house was equipped with modern plumbing and it was raised on arches above the damp Cheshire clays. The second phase of building work, carried out between 184045, replaced the old south front. The final cost of the house was almost 30,000.

In the 20th century Elizabeth Egerton-Warburton inherited the estate. She married Desmond Flower, who became the 10th Viscount Ashbrook, in 1934. Later in the century, parts of the south front were affected by dry rot and decay of the stonework; these were demolished in 1968, together with some of the servants’ quarters, kitchens and offices, and notably the dining room on the site of the older Great Hall, to reduce maintenance costs. However this was considered detrimental to the building’s architectural integrity, so in 1987 the lost wings were replaced by five new houses, modelled on the style of the hall. These houses were sold as private residences to raise money for the estate.

Structure

West front

Exterior

Designed in an “L” shape, the house is built of red brick with blue diaper patterning and stone dressings under a slate roof. It has two principal floors plus attics and a basement. The windows have stone surrounds, mullions and transoms. The south front is symmetrical, with seven bays and a pierced stone parapet. The external bays project forwards and have canted windows. A single-storey porch extends from the central bay. The building has a segmented entrance ornamented by a coat of arms in the spandrels flanked by Ionic columns. The west front includes a first-floor oriel window. The chimneys are in Tudor style, grouped in threes and fours.

Interior

The principal entrance was formerly through the porch on the south front, but its large doors caused too many draughts. In 1862 an entrance was created in the west front, leading to the West Hall, which contains panelling from the old house. The West Hall in turn leads into the Library, which has one of Latham’s most elaborate ceilings. The windows contain French stained glass, designed and made in Paris by M. Lusson. The Library leads to the former Front Hall, which was transformed into the Dining Room when the original dining room was demolished in 1968. In the Dining Room is a portrait of a noblemen, attributed to Cornelis Jonson. The Gallery was the family’s principal sitting-room during the 19th century. The overmantel of the fireplace contains sculptures depicting St George slaying the dragon and, on each side, personifications of Hope and Patience, with appropriate inscriptions. The Drawing Room is in a different style from the other rooms on the ground floor, being plastered rather than panelled, and it contains much gilding. The room is devoted to the memory of Rowland Egerton-Warburton and contains a number of family portraits. Its coved ceiling, also designed by Latham, has a frieze depicting birds eating grapes. The final room on the ground floor open to the public is the Small Dining Room. It has a barrel-shaped ceiling, again designed by Latham. In the room is a virginal dated 1675 by Stephen Keene, and is one of the oldest surviving English keyboard instruments. Its front is decorated with portraits of Charles II and Queen Catherine. The Grand Staircase is considered to be Latham’s finest work in the house. The staircase itself and the doorways are made of oak, and the decoration is in plasterwork and strapwork. Above the staircase is a glass-walled domed ceiling.

On the upper floor, the South Bay Bedroom was originally the principal bedroom. It contains a collection of watercolours by Elizabeth Ashbrook. The Exhibition Room occupies a former dressing room and contains information about the history of the hall. The Emperor’s Room is named after Prince Louis Napoleon, later Napoleon III, who stayed in the hall during the winter of 184748. It contains watercolours by Piers Egerton-Warburton, including pictures of timber-framed buildings in Northwest England and views of Arley and Great Budworth. The final room on the upper floor open to the public is the General’s Room, dedicated to the memory of Sir George Higginson, the great-grandfather of the present Viscount Ashbrook, and contains memorabilia relating to him. Leading back to the ground floor is the Small Staircase, with its balustrade of oak capped with mahogany.

Chapel

History

Roland Warburton, influenced by the Oxford Movement, decided to add a Gothic chapel to the north-east of the house, and commissioned Anthony Salvin for the design. The chapel was consecrated in September 1845. In 185657 a north aisle and entrance porch designed by George Street were added. The chapel is dedicated to St Mary.

Description

The chapel is built in red sandstone and rendered brick with a slate and tile roof. The sandstone came from quarries in Runcorn. Its plan consists of a four-bay nave with a north aisle, a two-bay chancel, a porch and a bell turret to the north. On the east front is a canted oriel window supported on a buttress. The bell turret is octagonal with eight lancet openings at the bell stage and is surmounted by a red-tiled spirelet. Inside the chapel is a richly painted iron screen, which hides the central heating, and three corona-shaped chandeliers. The stained glass in the east window, dated 1895, is by Kempe. The font is a richly carved stone bowl on a cluster of marble columns. In the chancel is a piscina and a triple sedilia.

Gardens

Herbaceous Border in autumn, looking to the east

History

The first gardens were created in the 18th century by Sir Peter Warburton, 4th baronet, who developed pleasure grounds, a walled kitchen garden and a landscape park. Sir Peter Warburton, 5th baronet, enlarged the park and engaged William Emes to develop a plan for the park and gardens. These gardens were mainly to the east of the house. In the 19th century Rowland and Mary Egerton-Warburton began to develop the area to the west of the house as pleasure gardens. The new features included a ha-ha designed by George Latham. The present gardens are much as the Egerton-Warburtons designed them. During the Second World War and for some years afterwards, the gardens were used to provide food for the house, and a skeleton staff prevented the pleasure gardens from total decay. In 1960 the gardens were opened to the public. They continue to be maintained in the style of a pre-war country house garden.

Herbaceous Border in summer, looking towards The Alcove

Description

The formal gardens cover an area of 12 acres (4.9 ha). The visitor approaches the hall and gardens along an avenue of pleached lime trees which are clipped each year. The main path passes under the Clock Tower (see below) and a path on the right leads into the Flag Garden, so-called because its paths are formed from flagstones. This leads to the Furlong Drive, a straight path leading in a southwesterly direction from the house to the Sundial Circle, which is exactly a furlong (220 yards/201 metres) in length. Parkland lies on the southeast side of the path, and this is separated from the formal gardens by the ha-ha. To the north of this path is the double Herbaceous Border, which was one of the first in England. It consists of four pairs of flowerbeds which are backed on one side by a 19th-century wall and on the other by a yew hedge. Between the sections of the border are yews which have been pruned into decorative shapes. To the south of the herbaceous border is the Ilex Avenue which consists of seven pairs of holm oaks clipped into the shape of cylinders 8 metres (26 ft) high and 3 metres (9.8 ft) in diameter. In the angle between the Herbaceous Border and the Ilex Avenue is the Shrub Rose Garden.

Looking across the Ilex Avenue

At the southwest end of the Furlong Drive is the Sundial Circle, which contains a sundial surrounded by a lawn and borders of shrub-roses and other flowering shrubs. From the Sundial Circle a path leads into an area known as the Rootree. This was created in the 19th century as an alpine rock garden but since 1960 it has been planted with flowering shrubs. From the Rootery paths lead to the Fish Garden, a small sunken garden containing a pond, and to the Rough, a semi-wild area. From the north end of the Ilex Avenue a gate leads into the Walled Garden. This was formerly one of the kitchen gardens and was redesigned in 1960. It contains a pond surrounded by statues of four heraldic beasts which were originally on the roof of the house. In the centre of the pond is a modern flower sculpture designed by Tom Leaper. This garden also contains lawns, trees and shrubs. To its east is the Kitchen Garden, where vegetables as well as flowers and crab apples are grown. To the east of the Kitchen Garden are two small gardens, the Herb Garden and the Scented Garden, the former containing herbs and the latter strongly scented flowers and shrubs.

The latest area to have been developed is the Grove, to the north and northeast of the hall. This formerly contained the path leading from Arley Green to the chapel but by the early 20th century it had become neglected. Beginning in about 1970 the area has been cleared and planted with a variety of trees, shrubs and bulbs. At the extreme east of the Grove a woodland walk has been created.

Other features

Approach along the Lime Avenue from the west, with the Clock Tower in the distance

The main entrance to the grounds is through an arch over which is the 19th-century Clock Tower. The clock it contains has only one hand. Extending from the south of the Clock Tower is a building now known as The Ride. This was originally a barn built in 1471 and converted into an indoor riding school in the 19th century. It is a timber framed building with brick infill on a stone plinth with a slate roof. Internally there are seven cruck trusses. This building is listed Grade I. In the other direction, extending to the north of the Clock Tower is another barn, this one dating from about 1602. It is built in brick with stone dressings and has a slate roof. It is now used as a tea shop and kitchen, and is listed Grade II. Both the Walled Garden and the Kitchen Garden are listed Grade II. At the western end of the Herbaceous Border is a structure known as The Alcove which was built about 1790. This is a garden seat enclosed in a decorated surround built in brick, rendered brick and stone. It is listed Grade II.

The Clock Tower from the northeast with the Ride on the left and the Tudor Barn to the right

Attached to the north wall of the Kitchen Garden is a greenhouse known as the Vinery which was built in 187273. It contains fig trees which were planted shortly after it was built. Originally this had a curved rood but this was replaced in 1921 by the present straight roof. It is listed Grade II. A sundial in the south forecourt of the house is also a Grade II-listed structure. It dates from the 18th century and consists of a lead figure of a kneeling American Indian in a loincloth on a stone base with the dial on his head and a 20th-century gnomon. To the north of the Shrub Rose Garden is a half-timbered building known as the Tea Cottage. This was built in the mid-19th century and was used by the family for afternoon tea and garden parties; it now contains panels bearing verses, which were previously part of the tower above the south front of the main house (demolished in 1968).[citation needed] In the Kitchen Garden are two structures. One is a seat enclosed by an arch of Malus trees, known as the Malus Seat. Opposite this is a highly decorated arbour made from white-painted wirework.

The estate occupies an area of 2,000 acres (8 km2), which includes Stockley Farm’s 750 acres (3 km2). Stockley is an organic farm growing fruit and other crops, and also has 200 milking cows. It is open to the public and is organised as a tourist attraction, particularly targeted at children.

Present day

The hall, chapel, gardens, and grounds, are open to the public at advertised times. The hall is licensed for civil wedding ceremonies. A variety of events take place in the hall and its grounds, which, along with the Tudor Barn, are available for corporate or private hire. In January 2009 a further venue was opened. This was converted from former barns, is named Olympia, and has facilities for corporate events, weddings and parties. The Tudor Barn has been converted to a licensed restaurant, and a shop and plant nursery are nearby. In 1987 the gardens won the Christie’s Garden of the Year Award. In 2008 they were selected as one of the Gardens of Distinction for Cheshire’s Year of the Gardens. Stockley Farm is also open to the public at advertised times. The farm was given the award of Farm Attraction of the year 2007 through the National Farm Attractions Network and in 2008 was the Supreme Champion Farm in the Cheshire Farms Competition.

Arley Hall is used as a location for filming and for photo shots. It appeared in the series Cluedo and has doubled as Soames’ house in The Forsyte Saga. It was also used as a backdrop for The Adventures of Sherlock Holmes and has been the scene of two Coronation Street weddings.

References

Notes

^ a b c Images of England: Arley Hall, English Heritage, http://www.imagesofengland.org.uk/details/default.aspx?pid=1&id=58499, retrieved 2008-12-24 

^ a b c d e Images of England: Chapel of St Mary at Arley Hall, English Heritage, http://www.imagesofengland.org.uk/details/default.aspx?pid=1&id=58503, retrieved 2008-12-24 

^ Arley Hall, Parks & Gardens Data Services, http://www.parksandgardens.ac.uk/component/option,com_parksandgardens/task,site/id,135/tab,description/Itemid,293/, retrieved 2008-12-28 

^ a b Arley Hall, Historic Houses Association, http://www.hha.org.uk/HHA/Property.aspx?id=570&rg=&co=-1&tp=0&pd=-1&me=&mn=&mr=10&vw=0&st=n&nm=, retrieved 2008-12-31 

^ Foster 1999, pp. 36.

^ Raffald, Elizabeth (1769), The Experienced English Housekeeper, Ipswich: Southover Press (published 1997), pp. viivii, ISBN 9781870962131 

^ Elizabeth Raffald, Second Life, http://www.practicallyedible.com/edible.nsf/pages/elizabethraffald, retrieved 2009-07-04 

^ Foster 1999, pp. 67.

^ Foster 1999, p. 8.

^ a b Foster 1999, p. 9.

^ Foster 1999, pp. 912.

^ Foster 1999, p. 22.

^ Foster 1999, p. 3.

^ Groves 2004, p. 89.

^ Foster 1999, p. 4.

^ Foster 1999, p. 6.

^ a b c d e Ashbrook, Michael, Tour of the House, Arley Hall & Gardens, http://www.arleyhallandgardens.com/page28.asp, retrieved 2008-12-24 

^ Foster 1999, p. 5.

^ Foster 1999, p. 10.

^ Foster 1999, p. 13.

^ Foster 1999, pp. 1415.

^ a b Pevsner & Hubbard 2003, p. 63

^ Ormerod, George; Thomas Helsby (Ed.) (1882), The History of the County Palatine and City of Chester (2nd ed.), London: George Routledge and Sons, p. i. 613 

^ a b Groves 2004, p. 84.

^ Groves 2004, p. 85.

^ Ashbrook 1999, pp. 2426.

^ a b c d e f Foster, Jane, Tour of the Gardens, Arley Hall & Gardens, http://www.arleyhallandgardens.com/tour.html, retrieved 2009-01-19 

^ Ashbrook 1999, pp. 2631.

^ Ashbrook 1999, pp. 3137.

^ Ashbrook, Michael (1999), “The Grove”, in Albrighton, Tom, Arley Hall and Gardens, Cheshire, Norwich: Jarrold, pp. 3739 

^ Images of England: Cruck Barn, Arley Hall, English Heritage, http://www.imagesofengland.org.uk/details/default.aspx?pid=1&id=58504, retrieved 2008-12-30 

^ Images of England: Tudor Barn, Arley Hall, English Heritage, http://www.imagesofengland.org.uk/details/default.aspx?pid=1&id=58505, retrieved 2008-12-30 

^ Images of England: Eastern Walled Garden at Arley Hall, English Heritage, http://www.imagesofengland.org.uk/details/default.aspx?pid=1&id=58506, retrieved 2008-12-30 

^ Images of England: Western Walled Garden at Arley Hall, English Heritage, http://www.imagesofengland.org.uk/details/default.aspx?pid=1&id=58508, retrieved 2008-12-30 

^ Images of England: Garden Seat, Arley Hall, English Heritage, http://www.imagesofengland.org.uk/details/default.aspx?pid=1&id=58509, retrieved 2008-12-30 

^ Ashbrook 1999, p. 36.

^ Images of England: Forcing Wall and Greenhouse, Arley Hall, English Heritage, http://www.imagesofengland.org.uk/details/default.aspx?pid=1&id=58507, retrieved 2008-12-30 

^ Images of England: Sundial, South Forecourt, Arley Hall, English Heritage, http://www.imagesofengland.org.uk/details/default.aspx?pid=1&id=58500, retrieved 2008-12-30 

^ Arley Hall and Gardens, VIP Internet, http://www.statelyhomes.com/areas/details.asp?HID=16&ID=1644&path=12,16,57,1644, retrieved 2009-01-19 

^ a b Home, Stockley Farm, http://www.stockleyfarm.co.uk/index.php, retrieved 2008-12-31 

^ Opening Times & Prices, Arley Hall & Gardens, http://www.arleyhallandgardens.com/opening.html, retrieved 2009-01-19 

^ Arley Weddings, Arley Hall & Gardens, http://www.arleyweddings.com/index.html, retrieved 2009-01-19 

^ Events, Arley Hall & Gardens, http://www.arleyhallandgardens.com/events.html, retrieved 2009-01-19 

^ Corporate & Private Parties, Arley Hall & Gardens, http://www.arleyhallandgardens.com/corporate.html, retrieved 2009-01-19 

^ Latest News: Opening of Olympia, Arley Hall & Gardens, http://www.arleyhallandgardens.com/news.html, retrieved 2009-01-19 

^ a b The Hall & Gardens, Arley Hall & Gardens, http://www.arleyhallandgardens.com/hall.html, retrieved 2009-01-19 

^ HHA/Christie’s Garden of the Year Award, Historic Houses Association, http://www.hha.org.uk/metadot/index.pl?id=23799&isa=Category&op=show, retrieved 2009-01-29 

^ Opening times and prices, Stockley Farm, http://www.stockleyfarm.co.uk/time-price.php, retrieved 2008-12-31 

^ Filming at Arley Hall, Arley Hall & Gardens, http://www.arleyhallandgardens.com/film.html, retrieved 2009-01-19 

Bibliography

Wikimedia Commons has media related to: Arley Hall

Ashbrook, Elizabeth (1999), “The Garden”, in Albrighton, Tom, Arley Hall and Gardens, Cheshire, Norwich: Jarrold 

Foster, Charles (1999), “The History of the House and the Family”, in Albrighton, Tom, Arley Hall and Gardens, Cheshire, Norwich: Jarrold 

Groves, Linden (2004), Historic Parks & Gardens of Cheshire, Ashbourne: Landmark, ISBN 1 84306 124 4 

Pevsner, Nikolaus; Hubbard, Edward (2003) . The Buildings of England: Cheshire. New Haven & London: Yale University Press. ISBN 0 300 09588 0. 

Coordinates: 531927 22919 / 53.3243N 2.4886W / 53.3243; -2.4886

Categories: Houses in Cheshire | Gardens in Cheshire | Visitor attractions in Cheshire | Grade II* listed buildings in Cheshire | Clock towers in the United KingdomHidden categories: All articles with unsourced statements | Articles with unsourced statements from July 2009
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Lawrence Frames 179880 Lawrence Frames 8×10 Ornate Domed Shape Picture Frame with Gilded Gold Finish $32.63 Picture frame. Available in 8 x 10 sizes. Gilded Gold finish. Composite material construction. Compliment any decor. Traditional style. Includes high quality Black velvet backing. Fabulous decorative picture frame. Wipe clean with dry cloth.

Lawrence Frames 179846 Lawrence Frames 4×6 Ornate Domed Shape Picture Frame with Gilded Gold Finish $24.51 Picture frame. Available in 4 x 6 sizes. Gilded Gold finish. Composite material construction. Compliment any decor. Traditional style. Includes high quality Black velvet backing. Fabulous decorative picture frame. Wipe clean with dry cloth.

Slate and Mosaic Glass 3x 3 Frame With Dragonfly Accent Slate and Glass (Set of 3) Assorted by Midwest-CBK $44.17 Slate and mosaic glass 3×3 frame with dragonfly accent. Set of 3 assorted. Origin: China. Primary Materials: Slate and glass. Color: Gray/green. Dimensions: 7.25″ x 1.25″ x 7.25″. Type: Decorations

Emerson FR100GBZ Gilded Bronze Traditional / Classic Glass Kit Scroll Frame $9.6 Scroll Frame for use with GL106 glass bowl

Lawrence Frames 179857 Lawrence Frames 5×7 Ornate Domed Shape Picture Frame with Gilded Gold Finish $28.41 Decorative architectural composite molding in rich gilded gold finish. Finished with Black velvet backing including an easel for vertical or horizontal table top display and hangers for wall mounting. Individually boxed.

Prairie Gilded Iron 1-Light Wall Lantern $101.34 Gilded Iron finishClear seeded glassUses (1) 100-watt medium base bulbNumber of Bulbs: OneBulb Type: Medium BaseWattage: 100w maxEnergy Star Compliant: NoLow Voltage: NoBulb includedSize: 6.375 in. W x 9.125 in. H A truly fresh interpretation in the spirit of the Arts and Crafts style, the Prairie Collection is constructed of durable die-cast aluminum and features a clear seeded glass diffuser with a wire frame surround.

Gilded Partini Retro Mens Wallet by CafePress $34.5 Retro martini in an oval silver gilded frame. Nostalgic, fun, and colorful 50s, 60s, lounge style martini glass for vintage retro lovers. Retro Mens Wallet This custom leather mens wallet is perfect for the man who loves style while comfortably carrying his personal belongings. Our bi-fold wallet is the best billfold for personalized convenience.100% top grain leather. 6 credit card slots.

RM Solar Three Panel Roof Kit-Slate $399.99 Roof frames and fixings suitable for one panel slate roof. Easy fit on roof frame. Suitable for fixed slate. Features: For Use With Tiles Under 10mm Thick; Frame Suitable For Fixed Slate.

RM Solar Two Panel Roof Kit-Slate $200 Roof frames and fixings suitable for one panel slate roof. Easy fit on roof frame. Suitable for fixed slate. Features: For Use with Tiles Under 10mm Thick; Frame Suitable For Fixed Slate.

RM Solar One Panel Roof Kit-Slate $200 Roof frames and fixings suitable for one panel slate roof. Easy fit on roof frame. Suitable for fixed slate. Features: For Use with Tiles Under 10mm Thick; Frame Suitable for Fixed Slate.

Indoor/Outdoor Round Side Table w Metal Frame & Slate Top $71.56 An alluring and yet highly durable addition to the patio living space or the poolside lounge, this enticing and attractive table offers a rounded slate top with inlaid brick motif, supported by a distinctive three-legged base made of a sturdy and reliable black metal frame. This exquisite side table was designed to add a note of distinctive charm to indoor or outdoor settings. The 22″ high table displays graceful, flowing lines in the contemporary mode. The sturdy, black powder-coated metal frame supports an attractive, all natural Slate top. You’ll find many ways to display this side table featuring a black metal frame and slate top. This 22″ high side table displays a sturdy, black powder-coated metal frame supporting an attractive, all natural Slate top. * Slate TopBlack Metal Frame19.7 in. Dia x 22 H in. (20 lbs.)

Elegance Gilded Truffle Bed, Size King $903 Add a bit of dignified sophistication to your traditional or Victorian dcor with the Elegance Bed. The Elegance Bed introduces a taste of baroque grandeur to your home with carefully detailed castings, graceful scrolls and artistically designed foot castings. Reeded posts, topped with classically designed finials and stylishly scrolled side rails complete the all over look. No need for a frame because this bed comes complete with slats that support your mattress and box spring. This all metal bed is finished in Gilded Truffle, and is available as a complete bed in queen and king sizes.

Elegance Gilded Truffle Bed, Size Queen $795 Add a bit of dignified sophistication to your traditional or Victorian dcor with the Elegance Bed. The Elegance Bed introduces a taste of baroque grandeur to your home with carefully detailed castings, graceful scrolls and artistically designed foot castings. Reeded posts, topped with classically designed finials and stylishly scrolled side rails complete the all over look. No need for a frame because this bed comes complete with slats that support your mattress and box spring. This all metal bed is finished in Gilded Truffle, and is available as a complete bed in queen and king sizes.